She learns his mother has a new baby, whom Perry has been trying to support by working several jobs and by resorting to "stealing" to avoid burdening her with feeding him. Stargirl also discovers the truth about Perry, who has been very mysterious about his family and personal life. With the arrival of autumn, Stargirl's life is affected as she meets several new characters: Alvina, a grumpy young girl who delivers donuts to Betty Lou Perry, a teen boy who Alvina is falling in love with and Perry's "harem," The Honeybees.Īs winter sets in, Stargirl plans a Winter Solstice party, inviting all of the people she has encountered in her new town to celebrate the beginning of winter by joining her at sunrise on her Enchanted Hill, which she now calls Calendar Hill. They also share a very nice time watching flowers together. She is quite nice and Stargirl soon becomes friends with her as well. She befriends Dootsie, a noisy but lovable 6-year-old who takes a shine to Stargirl and wants to switch.ĭootsie introduces her to Betty Lou, an agoraphobic elderly woman. Worth a watch.New in town, homeschooled, and feeling rejected by Leo, the 16-year-old narrator of the first book who had fallen under her spell, she is lonely and sad-her "happy wagon," where she keeps stones representing her level of happiness, is almost empty.
Love stargirl reviews movie#
That wouldn't play in Kansas City, as the movie moguls used to say. The movie is clearly aimed at a middle American audience and tries not to be too frightening or threatening on the subject of political strife. Neil Simon could have found stronger stuff in ANY underground newspaper around at that time than he put into the script, and this tends to weaken the credibility of everything. The Vietnam period was ALL about politics and revolution and youth culture and the 'radicals' seem rather tame and naive in that context. Go girl! The script itself reads a bit 'lite' as an exercise in political head- banging though.
Love stargirl reviews tv#
Known for family friendly TV projects mostly, Sandy nevertheless could reach down and give her end of the dialog a little spitfire bite where necessary. Sandy Duncan looks cute and holds her own as the stubborn, clean-cut object of his romantic attention and political exasperation. SSG is well cast, with Tony Roberts especially good in one of his trademark fast-talking roles as one of the radicals. This is true of so many adaptations of stage plays: they tend to be no more visually sophisticated than the average sit-com.
The movie looks quite good despite a modest budget, but part of the reason for this is that it is just another filmed play, with limited cinematic ambitions beyond creating a credible scenic background for the dialogue.
Naturally the politics get in the way, but in the end everybody comes to their own philosophical accommodations and try to get along. Sparks fly as they find themselves sparring with her on political subjects, while trying to win her over romantically. Two journalist-radicals find themselves attracted to a patriotic Olympic hopeful.
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